《2对1初体验》在线观看HD无字电影免费不卡日本韩国视频

《2对1初体验》在线观看HD无字电影免费不卡日本韩国视频
A struggling all-girl rock band goes on tour and discover their worst problem is not just being forgotten by their fans.
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
The film is a follow-up to Kvedaravicius’ 2016 doc Mariupolis, which followed the lives of everyday citizens in Mariupol as the threat of war with Russia escalated.